Voila! Throughout the day, Vinz, clearly more incensed than his more at-risk comrades, claims that if Abdel succumbs to his injuries… he would use the gun kill a cop in retaliation. In this scene taken from La Haine the trio are in a art gallery in Paris, poverty is represented in the mise-en-scene by the clothes they are wearing contrasted to everyone else as this highlights how out of their element they are. Regarding the state of French cinema at the time of the film’s release, director Mathieu Kassovitz remarked on the commentary track of La haine that the that the once-innovative French New Wave had become harmful to the evolution of French cinema in the 1980s. It could be said that as a young Jewish man, Vinz was raised on a heritage wrought with trials, tribulations and pronounced suffering, but he himself feels no connection to the persecution of his ancestors and seeks to align himself with it and channel his vengeful sentiments by putting himself in the shoes of the people currently marginalized the most in France his foreign comrades. J'upload cette scène de La Haine (1995 de Mathieu Kassovitz) en hommage à une discussion avec Giorgos dont c'est le film Français préféré. We can also consider usage of the Eiffel Tower as showing us protagonists are in Paris for the movie LA Haine, but this statement loses its importance when we figure out the way of usage of the Eiffel Tower.
"Anatomy of a Scene" featurette (6:37) "Behind the Scenes" featurette (5:53) Colour Deleted and Extended Scenes Towards the end we see that Vinz’s volatile personality was but a facade, and when he attempts to assassinate a lowly skinhead he fails, sickened by the prospect. – "Eiffel Tower" (1:29) – "Eiffel Tower" afterword by director Mathieu Kassovitz (1:30) Stills Gallery. "Ten Years of La Haine" documentary (83:23). Inversely, the Jewish Vinz defies the inflammatory stereotype of meekness and submissiveness by being the most volatile and arrogant of his friends. Mathieu Kassovitz's La Haine is, famously, a banlieue -set film, but almost half of the action takes place in Paris. In some cases the tower is the key plot element or a significant plot element. This, coupled with his decision to turn his revolver over to Hubert, is a clear indication of his realisation that he does not have the stake in the conflict he claimed to have. However, Saïd is probably the most harmless, naive member of the trio whereas Hubert is the most devotedly pacifist, with a clear moral code.
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